Home Bulletin Board extras! contest Media Kit Booksellers FAQs Contact Site
Much Ado About You  

 

Teresa Essex has a unique lot in life. Actually…she’d rather prefer that lots were not mentioned. She knows far too much about playing the odds: her widowed father gambled away any spare penny owned by their family. Shillings that should have been spent on gowns and governesses for Tess and her three younger sisters were spent keeping her father’s horses in proper condition for the race track.

 

When their father dies, the sisters become the wards of the Duke of Holbrook who knows far more about brandy snifters than children. But Tess’s challenges have just begun. With nothing more than a horse each for a dowry, and a drunken duke as a chaperone, she and her sisters must achieve respectable marriages.

 

In the manner of romantic heroines from the time of Jane Austen, Tess must make a decision whether to marry for financial, prudent reasons, or to follow her heart. But unlike those tales in which heroines prudently make the correct decision, whatever that might be, here fate steps in and Tess must learn a hard lesson:  not how to play at love, but how to play at that most serious of pursuits…

 

Marriage.

 
Exclusive ExcerptThe Inside TakeReviews In The PressHurrahorder

Avon
December 2004
ISBN 0060732067

 

» Essex Family Tree
» Dreaming Up Tess

Cherie wrote from England to point out a hideous historical error: on page 286, Lucius describes a portrait of three "children of a roundhead cavalier." Well, the Roundheads and the Cavaliers were on opposite sides during the English Civil War! And that war took place between 1642 and 1651, so the children would definitely not be wearing "the height of Elizabethan finery," as they are described on page 359 ( Queen Elizabeth died in 1603). I have no defense for this. But may I add a fascinating fact? Much Ado About You was re edited and copy-edited for the English edition by English editors and English copyeditors -- and their edition features a roundhead cavalier too!

 

Writing books is like any other job: there are those moments when you wonder, "How could I have done that? How could I have been so absent-minded / foolish / careless? When I wrote Fool for Love, I gave Darby two little sisters, Anabel and Josie, and Henrietta one sister, Imogen. Then a few years later, I started a series about four sisters. I must have changed their names a hundred times. For a while, the youngest sister was Petronella. Eventually I named the eldest sister Tess, and then I found three names for Tess's sisters that just sounded…right. Yep!  Annabel, Josie and Imogen sprang back into life. There is no connection between my earlier characters and these; please forgive me if I confused you. A reader named Carol was kind enough to point this out to me.

 

Katheryn Carrier wrote me to point out that while Much Ado About You is set in 1816, Hans Christian Andersen didn’t write The Princess and the Pea until 1835.  Therefore Rafe could not possibly have had a mural of the story painted on the nursery walls in Holbrook Court.

 

Erratum! On page 315, paragraph 3, Imogen makes a reference to Lucius that should, in fact, be a reference to her husband. The sentence SHOULD read: “Draven has all his hopes riding on him.”

 

From Fanny, who once read history at Oxford: "When you talk about a horse's breeding, you say BY [the sire] and OUT OF [the dam]." Needless to say, I messed this up somewhere in Much Ado About You.

 

Back to Top



Much Ado About You
Book one in The Essex Sisters
I'm the kind of writer who can't seem to think in terms of one book: I invariably design a world that takes up three or four books. This leads to a virtual web of connections between my books. So what I offer below is something of a family tree, a way of chasing the characters whom you particularly like through several books, or of figuring out why a character's name sounds so very familiar to you.

Warning! In describing relations between characters, I may wreck a book for you by making it clear who someone marries, or the outcome of a book. Please do not read about The Inside Take if you're wary of knowing who is paired with whom!

» After Much Ado was published, a reader named Ashley pointed out that Lucius Felton and Lucius Malfoy, from the Harry Potter series, seem quite similar in their overall appearance, "snake-like" qualities, and the fact that they both carry canes. She also noted that the actor who plays Lucius's son, Draco, in the movies is named Tom Felton. Eureka! I read each of J.K. Rowlings's first three books aloud THREE times to my son, who at that point couldn't read for himself. So I was startled by Ashley's literary analysis - but after thinking it over, not surprised.

» The Earl of Mayne first appeared in Your Wicked Ways. At that time, I thought of him merely as a useful bad boy, to be tossed at the end of the novel. But in the way of bad boys, he refused to go away. And I received so many letters asking about his fate that I knew he had to return.

» Lucius Felton first appeared in the novella A Fool Again, published in The One That Got Away. Do try to find this story - it brings together Tobias, who is the brother of the hero of Fool for Love and Lucius, together with a perfectly delicious heroine. 

» Draven Maitland is modeled, to some extent, on Prince from Louisa May Alcott's Rose in Bloom. If you've only read Alcott's Little Women, this is a wonderful book too--about a little girl who is orphaned and raised by her uncle. Eight cousins swirl around the book, and Prince, beautiful, petulant, rash Prince was my favorite when I was a girl. I cried and cried over Rose in Bloom...

» Tess and Lucius trade lines from Catullus, the Roman poet. I have taught Catullus's work in poetry survey classes at my university, and students are always stunned by the frank way he talks about love and sex. Catullus was an upper class Roman who lived in Julius Caesar's time. He rebelled against his parents by becoming a poet, and even as a poet he was considered fairly outrageous because he used colloquial language in his verse, and talked mostly of love. (Well, love and sex).  

» Miss Pythian-Adams is kind of a joke on myself. After teaching Shakespeare for ten years, I have managed to memorize a great deal of verse without trying. There are moments when I have to restrain myself from boring everyone by dropping a particularly great bit of poetry into a conversation just because it occurred to me. So Miss Pythian-Adams's technique of getting rid of her unwanted fiancé by quoting poetry at him seems a natural!

Back to Top

 

> New York Times Extended list, and USAToday, too!

 

 


A faintly snarky review in the Sunday Star-Ledger (she didn't like the "considerable unrestrained passion" in recent Regency romances), does point out that Much Ado "scores points for an imaginative deflowering amidst flowers." True enough!

- Sunday Star Ledger, (posted April 24, 2005)

"Eloisa James has a new Regency novel about a quartet of lovely sisters coping with life after the death of their horse-crazed father, who neglected them in favor of his stable. Very entertaining; historically informed and considerably more literate than many Regencies. There's nothing old-fashioned about the very spicy love scenes."

- The Seattle Times, (posted January 30, 2005)

"[Lucius] possesses a quiet intensity and magnetic presence. The chemistry between the two easily overshadows the rather tenuous camaraderie that Tess and her sisters share.... [Much Ado About You] contains a romance that will induce sighs of satisfaction."

- Publishers Weekly, (posted December 20, 2004)

"In the first in a new series featuring the wonderfully amusing Essex sisters, New York Times best-selling James' gift for superb characterization and elegantly sensual, delightfully witty prose creates a thoroughly romantic treat."

- John Charles, Booklist (Starred Review) (posted December, 2004)

"Much Ado About You, in which four innocents from Scotland move far from home, is a departure from Ms. James's last series, with its sophisticated heroines. Yet it's similar in that it features an ensemble cast of characters with distinct, well-defined personalities, who don't always do the expected. One must be wary of second guessing Ms. James; her plots can't be foreseen from the early pages. As in the last series, relationships are important in this novel. Not just among the sisters and between the men and women, but among friends and families also…

"Excellent writing that incorporates humor, usually gentle but sometimes satiric, emotions deeply  felt as well as transient, and vital characters who pique immediate interest, make Much Ado About You a must read."

- Jane Bowers, Romance Reviews Today (posted January, 2005)

"Ms. James writes regency romance like no other author. Her characters are true to the time period as well as their actions and voices. Her attention to detail in the architecture of the era is impressive as well as her ability to make the readers feel like they are a part of the storyline. All of the secondary characters are a joy, from all of the sibling sisters to the nannies and the servants. . . An excellent addition to your historical collection. A real keeper!"

- Debbie, A Romantic Review (posted January, 2005)

Four and a half stars! Top Pick!
"Taking a cue from Louisa May Alcott, James pens a marvelous story centering on the four Essex sisters and their question for husbands...With witty and exquisite prose, James brings not only the Regency period to life (including delightful matchmaking and an Austen-esque plot) but also four unforgettable women whose friendship is at the heart of the story. Sisterhood is powerful, and James uses that to explore the unique relationships between women and the men they love. Readers' hearts will soar and beg for more."

- Romantic Times BOOKclub (posted November 17, 2004)

Back to Top

Interested in knowing how many children the Essex sisters had? Eloisa has a beautiful Essex Family Tree for you to see (note: reading the Pleasure For Pleasure Extra Chapter is recommended as the Family Tree may contain spoilers).

Back to Top

In the months before Much Ado About You was published, I ran a contest on this website asking readers, who had first met Lucius Felton in the novella A Fool Again, to describe the kind of woman he ought to meet, love, and marry. Some of the entries were so fantastic -- thoughtful, creative and intuitive -- that I was truly sorry to have already written Much Ado, and been unable to take advice about Lucius's wife. With the authors' permission, I am publishing the four winning entries here. 

Jennifer from Dallas:
Mr. Felton deserves ...a woman who can bring him to life. I sense there is a fascinating man underneath the starched-shirt we saw in A Fool Again. I think he has great potential--there is passion and verve simmering under that cool facade and I think there is some (lucky) hoydenish miss out there who can cause our reserved Mr. Felton to crackle to life.

I think he can love, and love deeply; and the woman who can bring the greatest joy must be a challenge to him. He can't have an easy time of it--nothing so easy as marrying his dead partner's wife. He needs a Beatrice; although, I daresay, he's nothing like Benedick in temperament--no histrionics there. (Although there was that kissing episode in A Fool Again. Perhaps he does have a little performer in him...)

Carolyn from Philadelphia:
Lucius Felton seems like a man who would be a protector, and a down & dirty & dangerous one if need be. He should fall for a young woman who gets through his aloof façade - one who arouses all of his protective instincts, even if it's against his will. His dubious respectability, his sometimes shady dealings would provide him with contacts from the seamier side of society - contacts that he could use in helping her. The young woman should be in dire & desperate straits; but she must not be an adorable ninny, like Genevieve. His lady must be strong & sensible, just desperate & powerless.

Bonnie from East Greenbush:
What do we know about Mr. Felton? He is passionate about horses, but denies he's capable of love. He is very rich, but has some shady business dealings. He is a patron of the arts, but rarely expresses any deep emotions. He is an opportunist, but honorable (e.g. letting Tobias win Genevieve). He's also being chased by marriage-minded debutantes and their mothers.

So who would make the perfect wife for Lucius? I think a woman who is an innocent and somewhat naïve, to help heal whatever hidden wounds Mr. Felton is afraid to show. She may be poor and therefore he believes her interest is strictly financial. And I think she'll have to be spunky, someone who'll be able to not take him too seriously and challenge his calm, controlled demeanor. It wouldn't hurt if she were afraid of horses, too! Lucius could have an interesting time teaching her about his passion for horses while discovering his passion for her.

 

Danielle from Indianapolis:
Every girl carries memories of that one perfect boy in high school. You know, the captain of the football, basketball, and swim team. The one who was not only athletic, but also intelligent, witty, and ....well...hot. He tended to be worshipped by men and women alike. He was elusive and utterly unattainable. There was nothing and no one that he couldn't have, and he knew it. A man who is adored by all can easily be ruined.

It seems to me that Lucius needs a woman who is not impressed with him. Oh she knows he's incredibly handsome and intelligent, but good looks and a clever tongue are not going to win her heart. She wants a man with integrity. I have no doubt that Lucius possesses great character. He just doesn't let anyone get close enough to him to see it.

The woman Lucius needs doesn't necessarily have to be beautiful in the way that Esme Rawlings (who is probably my favorite character with Sophie York Foakes trailing closely behind) is. What she does need is an innate ability to read people. Lucius strikes me as the type who does not like to wear emotion of any kind on his sleeve. He is very controlled. A woman who could read him like a book would throw him off guard and make him feel a little vulnerable. She also must amuse him. Lucius is a man in dire need of laughter. His woman may not intend to be funny, but he still needs to find her so. My father and stepmother have been married for nearly twelve years. I know that the bible says "love covers a multitude of sins" but I think that laughter covers a manifold of follies. A couple that can laugh together is a beautiful thing.

She must also be affected by his touch. She needs to desire him even if she doesn't wish to. Even if she is afraid to risk her heart she needs to want him. Do you know why a woman can have any man she wants if she puts her mind to it (provided he is not in love with someone else or gay)? Because she learns how to cater to his ego. That's not to say that she turns into doormat or spends the day worshipping him for his greatness. But she makes him feel needed. He feels good about himself when he's with her.

Isn't it a glorious irony that Cupid is always painted as a naked baby with those cute, little arrows? A more accurate depiction would be an ogre with a toothy grin and Thor's Mjollnir.

 

Back to Top

From Chapter Five

Tess found herself to the left of the duke, with Lady Clarice seated to his right. The long table glowed with dishes of a deep maroon with gold bands around the edges. It was set with such an array of silverware that each plate looked as if it had a small shining fence laid on three sides. The silver caught the light of the candles and cast gleaming sparkles on people’s hands.

Suppers during Tess’s life had consisted of two courses at the very most and, in one of their papa’s dry spells, perhaps merely a thin slice of fowl. But on this occasion the courses came and went with bewildering speed. A tall footman with his hair caught back in a snood kept whisking away her plate before she had even tasted it and replacing it with another. And then, just after she would try the new dish, it would vanish. The footman had removed little pastries bulging with chicken and lobster before she finished one, and then a turtle soup briefly appeared, and now they were all contemplating sweetbread pie.

The sparkling drink in their glasses was champagne. Tess had read about champagne but never seen it before. The footman poured her another glass. It was entirely delectable. It fizzled on her tongue and seemed to increase the pleasure of moment immeasurably; Tess even found herself forgetting the fact that she and her sisters looked like so many black crows perched around the table.

“Miss Essex,” her guardian said, when Lady Clarice finally turned to the Earl of Mayne, “it is truly a pleasure and to have you in my house.”

Tess smiled at him. The duke’s slight air of exhaustion made him quite appealing, and the way his hair fell over his eyes was a contrast to the faultless elegance of his friend, the Earl of Mayne.

“We are tremendously lucky to be here, Your Grace,” she said, adding, “rather than in your nursery.”

“Your claim to luck is generous, given that your father’s death that brought you to me.”

“Yes,” Tess said. “But Papa was bedridden for some time before he died, you know. I do believe that he is happier where he is. Papa would not have been content had he been unable to ride.”

“I understood that Lord Essex simply did not wake up, due to a head injury,” the duke said.

“He did wake several times,” Tess explained. “But he was unable to move his limbs. That would not have been a happy circumstance for him.”

“No, I can see that would have been difficult for one of his temperament. I have vivid memories of my first meeting with your father. He had a horse running at Newmarket, years ago, that was. I was a mere stripling. His jockey was lamed in an earlier race so your father leapt onto the horse and rode it himself.”

“I would guess that the horse didn’t win,” Tess said, smiling at the image of it. That was just like Papa – both in the bravado, and in the foolishness.

“No. No, he was far too heavy to win. But he had a wonderful time, nonetheless, and the entire audience was howling for his victory.”

“Alas, Papa rarely won,” Tess said recklessly, feeling as if the champagne had loosened her tongue a bit. “I feel – I feel quite ashamed that he asked you to be our guardian, a man who scarcely knew our family. It’s altogether too much to ask of you, Your Grace!”

But he was grinning at her. Really grinning! “As I told you earlier, it’s a pleasure. I no longer have family of my own.” He looked around. “And I have no plans to marry. So this house and everything in it...no one is enjoying it except for me. I much prefer it like this.”

Tess looked down the table at her sisters, trying to see it through his eyes. Annabel was sparkling, her eyes alight with the pure joy of flirting with the Earl of Mayne. Imogen was glowing with a more subtle happiness; her eyes drifting to Draven Maitland’s face and then jerking away. Tess only hoped that Lady Clarice didn’t notice.

“This is what the dining room was like when my parents were alive,” the duke said. “I’m afraid that I’m become something of a solitary man, without realizing it. I must say, I am enormously pleased to find that my wards are of an age to converse, rather than lisp nursery rhymes.”

“Why did you –“Tess asked and hesitated. Was she right in thinking that proper English ladies didn’t ask personal questions? But she had to know. “Why did you say that you’ll never marry, Your Grace?”

Then she realized that he might guess that they had discussed marrying him, or even think that she had the ambition herself. “Not –“she added hastily – “that I have any personal interest in the question.”

But Holbrook was looking at her with all the oblivion of an older brother. It was clear that he had never even considered the possibility that he might make her, or one of her sisters for that matter, a duchess. Annabel would have to look to one of the other seven dukes if she wished to be a duchess. Or perhaps – Tess looked down the table again and caught Annabel laughing at the earl – perhaps she could simply turn to their guardian’s friend.

“There are a few of us who eschew the whole process,” Holbrook said. “And I’m afraid that I’m one of them. But it’s not due to misanthropy, Miss Essex.”

“Do, please call me Tess,” she said, drinking a bit more champagne. “After all, we are family now.”

“I would be more than pleased,” he said. “But you must call me Rafe. I loathe being addressed as Your Grace. And may I say, that I am tremendously happy to have acquired a family?”

She smiled at him, and there was a moment of perfect ease between them, as if they’d been siblings for life.

“I’ve never had a sister,” he said, nodding to the footman who wished to refill her champagne glasses. He was drinking a large glass of something golden, and quite without bubbles. “I believe it’s quite a different relationship from that one has with a brother.”

Their Debrett’s may have been two years out of date, but it did list the duke’s brother, with a little note, “deceased,” beside it. Tess’s champagne sent tingling little chills down her throat; the very idea of losing one of her sisters was inconceivable. “I know that you once had a brother,” she said rather haltingly. “I am sorry, Your Grace.”

“Rafe,” he corrected her. “To be honest, I think of myself as still having a brother. He simply isn’t with me any longer.”

“I know just what you mean,” Tess said impulsively. “I keep expecting Papa to walk in the door. Or even my mother, and she’s been gone for years.” 

“A maudlin pair of us, then,” he said, his eyes twinkling.

But Tess could see the sadness at the back of those brown eyes, and felt a sudden surge of liking for their unkempt, rather lonely guardian.

“Now tell me what it’s like having sisters – and so many of them,” he said, drinking from his glass again.

“Sisters are very good at keeping secrets,” Tess answered. “My sisters and I keep reams of them amongst ourselves.”

“Of what sort, pray?”

“These days, they are mostly to do with matters of the heart,” Tess said, wondering if perhaps she had had rather more champagne than was entirely wise.

“Ah,” he said. And then: “Should I be expecting a group of Scottish suitors to arrive at my doorstep, then?”

“Not for me, alas,” Tess said, devoting herself to a piece of plaice in a delicate cream sauce. “In fact, not for any of us. Papa had great plans, you see. Once he won a truly large purse, he was going to bring us to London for the season. He wouldn’t listen to the suits of local gentlemen.”

“If you’ll forgive the impertinent question, did any of you ever develop an affection for any of these suitors? For surely they existed, your father’s permission or not.”

“Here and there,” Tess said airily, “one developed a tendrance. But it was a bit difficult, you understand, due to Papa’s strictures as concerned the local nobility.”

His face was alive with interest, which was a heady pleasure for Tess. When was the last time that someone besides her sisters showed an interest in her opinions?

“Did you ever fall gain acquaintance with one of these inappropriate men? Is that one of your many secrets?”

“If I tell you,” she said with a small hiccup, “you must needs tell me a secret as well.”

“The only problem will be thinking of one,” he said, “for I lead a tediously proper life. So is some Scottish lad fair slain for love of you?”

“I did fall in love once, with the butcher’s boy,” she told him. “He was called Nebby, and he was truly an enchanting young man although not precisely eligible.”

“I should think not. What did Lord Essex do on learning of this remarkable attachment?”

“My father encouraged it,” Tess said, giving him a small grin.

Rafe blinked. “Really?”

“He thought it was a most useful connection, because Nebby brought me pieces of meat as a sign of his affection. We were,” she added, “both eleven years old, and so my father had little fear for of permanent affection between us. The truth is that Nebby cast me off, married at a young age and is already the father of two spanking young future butchers.”

“Young Nebby was the last to have captured your affections?”

“The very last,” Tess nodded.

Rafe seemed to manage to shovel down his supper, whereas she kept forgetting and allowing the footman to take away untouched plates of food. He touched his glass of golden liquor to her champagne. “I believe that you and I are of a type. Untouched by matters of the heart.”

“Alas,” Tess said. “Love doesn’t seem to be my forte. I find courtship rather tedious, if the truth be known.” Then it occurred to her that he would likely take that news with dismay, given the idea that his guardianship extended until she married. “Not that I am adverse to the idea of matrimony,” she hastened to tell him. “You needn’t worry that I shall plague your household forever; I fully intend to marry.”

“You relieve my soul,” Rafe said, laughing.

“Now,” she said, leaning towards him, “you’ll have to tell me a secret. I would like to know what’s turned you into such a misanthrope about marriage.”

“Why on earth would you be interested in such a triviality?” Rafe asked. Unless he was much mistaken, his new ward was just a tiny bit muzzly on champagne. Likely a guardian wasn’t supposed to allow his wards to become chirping-merry. Perhaps he should substitute lemonade for champagne? But he loathed a hypocrite, and he had no intention of giving up his brandy. He drank half the bumper on the thought.

Tess was talking, and he pulled his attention back to her with a jerk. “Because if you don’t, I’ll allow Annabel to continue in the mistaken belief that she could become Duchess of Holbrook with a mere crook of her little finger.”

His eyes widened and he looked down the table. At that moment, Annabel looked up and smiled. There was nothing overt about her smile. She was, quite simply, one of the most beautiful women Rafe had ever seen, with her buttery hair that gleamed with the dull gold of old silk in the candlelight, her eyes tilted slightly at the corners, marked with sooty eyelashes. Even in drab mourning clothing she was formidable. But he hadn’t the faintest inclination to marry her, magnificent or not.

“She would make a lovely duchess,” her sister told him.

Rafe narrowed his eyes at Tess. “I see you have some of your father’s bravado.” There was Annabel, glowing like a piece of expensive jewelry, down the table. And then here was Tess. Her clear blue eyes had the same tilt as her sister’s, but they spoke of intelligence, courage and humor, rather than pleasure. “You have no plans to become a duchess, do you?” he asked, wondering as he said it whether the brandy had gone to his head the way the champagne had to hers.

She shook her head.

You would really terrify me,” he said frankly. “In fact, should you have made up your mind in that direction, I might have had to flee to the North Country.”

“A remarkable compliment,” Tess said. “I think I would be more moved by it had you not mentioned the prospect of flight.”

Just then Brinkley entered the dining room and stooped at Rafe’s side. “Mr. Felton has arrived from London,” he said. “He has assented to joining you for a trifling repast. I suggest that we place him beside Miss Essex.”

“A friend,” Rafe explained, turning to Tess. And then, to Lady Clarice, “Yes indeed, Mr. Felton. We were at school together, although that was many years now.”

“Not so long," Lady Clarice said archly. “You’re not more than your mid-thirties, Your Grace, and I won’t have you pretending to be an elder statesman!”

Tess blinked. Perhaps the earl was right and Lady Clarice pictured herself a future duchess. Well, if Annabel rushed to imagine herself in the position, why should not every widowed or single lady in the vicinity?

She caught the duke’s eye. He gave her a crooked smile as he leaned closer to Lady Clarice, who had declared the need to tell the duke something tremendously humorous that happened at the last Silchester assembly.

A footman began placing a setting to the left of Tess. She finished her plaice, listening to Lady Clarice prattle to Rafe of an agreeable interlude in which a dear, dear friend of hers had quite lost the anchoring on her bodice whilst in the midst of a crowded room, or so Tess understood. From Lady Clarice’s relish in repeating the episode, one grasped immediately the idea that the friend in question had neglected to put on sufficient undergarments.

Then the door opened again, and Brinkley ushered in Rafe’s new guest. It must be the champagne, Tess thought rather foggily, a second later.

The man who entered the room after Brinkley looked like a fallen angel. The candelabra on the table bounced light from Mr. Felton’s sleek hair, off his austere face, off the severe line of his nose. He was wearing a black coat with a velvet lapel. He looked every inch a duke, every inch a patrician, a wealthy creature of privilege. And yet there was a sense in which he was like one of her father’s stallions: large, beautiful, a man who dominated the room merely by entering it. A man whose eyes showed a combination of restraint and a faint boredom, a sleek man.

A rather terrifying fallen angel, really.

 

Back to Top